it's lifetime. This example has the so called sandwich body
construction. It is not in favour by collectors also because of
the styling of the maple cap on the body, the volute and
some other features. Let the guitar speak for itself. This
one sounds amazing! The name Gibson that has been
stamped in the covers of the pickups is typical for
the period 1971 -1973. Probably because of the fact
the Japanese companies already copied a lot at that
time. In English they would say: "The embossed pick
construction. It is not in favour by collectors also because of
the styling of the maple cap on the body, the volute and
some other features. Let the guitar speak for itself. This
one sounds amazing! The name Gibson that has been
stamped in the covers of the pickups is typical for
the period 1971 -1973. Probably because of the fact
the Japanese companies already copied a lot at that
time. In English they would say: "The embossed pick
up covers". The so called witchhat knobs are original.
The tailpiece has been swamped with so called "micro tuners"
Of course I've kept the original tailpiece. Peavey introduced
tone pots on their humbucker equipped guitars that enabled
the pick ups to be split and a single coil sound was made
possible in that way. Can be of course soldered back to its'
original design but it really offers more tonal possibilities.
At that time Gibson used some kind of sticky varnish that
didn't influence the ease and comfort of playing in a positive way.
Also the "fretless wonder frets at that time were a disaster to
my opinion. They lowered the frets by filing them down-
wards but never rounded them afterwards! The "waffle back
Also the "fretless wonder frets at that time were a disaster to
my opinion. They lowered the frets by filing them down-
wards but never rounded them afterwards! The "waffle back
tuners are present as was customary during this period.
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